From Paris to NY.
GEORGES DUDOGNON GRETA GARBO IN THE CLUB ST. GERMAIN, PARIS 1950
LEE FRIEDLANDER NEW YORK CITY 1966
Absolute delight...
...and all mine! Thank you Plant and Moss. (The red chord flex really is the cherry on the top for me).
Choo choo Tuesday.
I'm attempting to construct my first ever strawberry tart. Whilst the pastry cream cools, I'm-a listenin' to various good tunes. The above being one of the featured super sonic sounds. Not quite the obvious pairing, but maybe it will instil some flavoursome bite to my creation.
Happy Monday.
The sun is shining, a bowl full of strawberries are in my tummy, I've managed to tie my hair into an accidental bow and The Andrew Sisters are on repeat. Repeat. YEAH!
Sunday Sunday.
JOSEPH BEUYS FELT SUIT 1970
GERHARD RICHTER ELIZABETH I 1966
JOHN SINGER SARGENT CLAUDE MONET PAINTING BY THE EDGE OF A WOOD 1885
DAVID HOCKNEY THE FIRST MARRIAGE 1962
CLAES OLDENBURG LIPSTICKS IN PICADILLY CIRCUS 1966
CHRISTOPHER WOOL UNTITLED 1997
UNTRAINED, UNINTENTIONAL & UNSEEN CREATORS.
My favourite, the Museum of Everything, got in touch to let me know they're back for 3 days in May, with a new show at Tate Modern. The idea is to exhibit submitted works on paper by unseen and undiscovered non-traditional artists. Those who are untrained and self-taught.
If your work is referred to as strange, amateurish, obsessive, even ugly, or you've received a calling to depict new worlds, inherited a book of hand-drawn magic, or are simply an artist with a disability, whose creativity has yet to be discovered... this is for you.
Simply head down to the Turbine Hall 14th-16th May with your piece. More details here.
If your work is referred to as strange, amateurish, obsessive, even ugly, or you've received a calling to depict new worlds, inherited a book of hand-drawn magic, or are simply an artist with a disability, whose creativity has yet to be discovered... this is for you.
Simply head down to the Turbine Hall 14th-16th May with your piece. More details here.
Harry Callahan.
Capturing the banality of daily life in such an inspired and wonderfully composed way. I am really looking forward to the forthcoming Exposed exhibition at Tate Modern, starting May 28th 2010.
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